Dead Still Worth Viewing
I love horror movies. I’ve watched them since I was a teenager. My favorites include the classics: The Exorcist (1975), Jaws (1975), and Poltergeist (1982). However, I like the B-movie horror films, namely The House on Haunted Hill (1959), The Monster Squad (1987), and The Tingler (1959), too. I grew up watching Dr. Paul Bearer on Creature Feature on WTOG. Horror movies transcend decades and act as social commentary. The Booth Brothers’ new film Dead Still incorporates the Victorian practice of taking mourning portraits into a fictional modern-day inheritance issue. Dead Still, an original SyFy movie, is worth viewing.
The Horror film genre remains popular. Box office rival Annabelle nearly toppled Gone Girl this past weekend. Even though each film generated over $37 million in ticket sales, Annabelle was the money winner. Produced for under $7 million dollars, Annabelle’s return in one weekend was five times its production costs. Wow! Low-budget horror films produce huge profits. This applies to films released exclusively on television with DVD sales later.
Dead Still’s estimated production costs were $2 million dollars. That’s extremely low for any film project. Moreover, the film shines with beautiful cinematography, haunting music, and A-list acting.
Filmed on location in Baton Rouge, Dead Still features an incredibly spooky house. Philip Adrian Booth captures the moody ambiance of the house, as well as, the Negative world. Remember: This is a low-budget film. Philip does a lot on a tight budget.
Equally impressive is the eerily evocative soundtrack. Twin brother Christopher Saint Booth assembled a soundtrack heavy with strings—quite appropriate for a horror film. Working as “Saint,” Christopher has assumed the role as music scorer for their productions. Christopher delivers.
Producers landed three strong actors. Ray Wise is absolutely wicked. Mr. Wise’s transformation into the crazy “Wenton Davis,” great grandfather and original owner of the antique Victorian camera, is creepy. Creepy weird and chilling. Ben Browder as “Brandon” is convincing as the relationship-challenged heir to the camera. He’s at his best in the Negative world. Gavin Casalegno portrays “Bobby,” Brandon’s son. His facial expressions convey what words cannot. Already boasting an impressive acting resume, Gavin has a long career ahead of him.
Graphic scenes are limited; however, I could have done without the sexual scene with the newlyweds. It didn’t add any real content and could have been achieved without the nudity and hand-gripping bedrail close-ups.
The antique Victorian camera is an amazing prop. The claw-footed, custom-made stand is intricately detailed and gorgeous. Reproductions of mourning portraits are impactful. They realistically represent the type of photographs popular in America and Europe from 1840-1891.
Dead Still is entertaining and gruesome. The Booth Brothers have expanded their filmmaking collection and have made the jump into the fictional horror movie genre. I look forward to their next film. Until then, stay still—Dead Still.